• Fig. 6.10. Discontinuity in Action (shot 20). LS: after seven further shots Viper, still on the track, finally fires as Tetsu. The masking has by now become a translucent bar across the top of the frame.

Discontinuity in Action, Shot 20

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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