• Fig. 6.4. Discontinuity in Action (shot 2). LS: Viper turns his head back in the direction of Tetsu. A non-diegetic, translucent, triangular mask covers the upper left portion of the frame (Tokyo nagaremono).

Discontinuity in Action, Shot 2

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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