Top row, left to right: oil paint (linseed oil), oil / resin paint (linseed oil, mastic, and dammar), oil / wax paint (linseed oil and beeswax). Bottom row, left to right: gouache (gum arabic), egg-based tempera, saponified wax paint (beeswax). Source: From Annik Pietsch's dissertation, Die Maltechnik des Staffeleibildes im 19. Jahrhundert, (Kunsthistorisches Institut der Freien Universität bei Univ. Prof. Dr. Werner Busch, 2004).

Prussian blue pigment in six different media. Top row, left to right: oil paint (linseed oil), oil / resin paint (linseed oil, mastic, and dammar), oil / wax paint (linseed oil and beeswax). Bottom row, left to right: gouache (gum arabic), egg-based tempera, saponified wax paint (beeswax). Source: From Annik Pietsch's dissertation, Die Maltechnik des Staffeleibildes im 19. Jahrhundert, (Kunsthistorisches Institut der Freien Universität bei Univ. Prof. Dr. Werner Busch, 2004).

From The creation of color in eighteenth-century Europe by Sarah Lowengard

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