• Fig. 8.14. Violence at a Distance (shot 3): Aochi, who was standing in front of the lovers in shot (1), is now a distant figure on the sea-cliff in the background

Violence at a Distance, Shot 3

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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