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Brushed in Light: Calligraphy in East Asian Cinema
Stereopticon card of Osaka’s Dotenburi entertainment district
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Figure 1.13. Umehara Seizan’s calligraphy for Kagemusha (1980); along with Im Kwon-taek and King Hu, Kurosawa Akira was one of the directors who cared deeply about the calligraphy in his films.
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Stereopticon card of Osaka’s Dotenburi entertainment district
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From
Brushed in Light: Calligraphy in East Asian Cinema
by Markus Nornes
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Creator(s)
Unknown
Subjects
Asian Studies
Media Studies
Related Section
Chapter 1
Citable Link
Citable Link
Rightsholder
Unknown
Copyright Status
public domain
File Format
tiff (TIFF EXIF)
File Size
527 KB
Width
988
Height
523
Mime Type
image/tiff
Last Modified
2023-03-12T09:10:56Z
Original Checksum
bab73bb5843a3b6deedecb63821ce8f7
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