• Fig. 8.23. Breaking the Wall: stage and backstage dynamically interacting in the same frame, from the POV of the audience (Kagerō-za)

Breaking the Wall

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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Subjects
  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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