• Fig. 5.15. Masochism and Distance: Shigeyoshi Mine’s “flattened depth” barely conceals the extreme distance between the camera and the hazily glimpsed nude body of Maya (Nikutai no mon)

Masochism and Distance

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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