• Fig. 8.26. Cinematic Keren (shot 2): close section of Ine’s upper body as she passes over Matsuzaki. However, in this shot Ine is no longer in motion, but stationary

Cinematic Keren 2

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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