• Fig. 4.21. Reversals (shot 4): Hanako from the “wrong” side of the classical axis of action (Kantō mushuku)

Reversals of Gender and Power Shot 4

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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