• Fig. 4.24. History versus Theatricality (2): the visual textures of Asakusa as a Theatre of Life. Note the seemingly shallow depth between the camera and urban surfaces created by an emphasis on foreground objects (Hana to dotō)

History versus Theatricality 2

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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