• Fig. 5.2. Caligari and Frontality: expressionism’s shallow proximity, shading, and flat theatrical backdrops conceal the actual depth of the filmed space

Frontality

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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Subjects
  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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