Toña La Negra in an all-white version of traditional Veracruzan costume in En carne viva (1950, Dir. Alberto Gout). Photo courtesy of the Colección Filmoteca UNAM.
From Geographies of Relation: Diasporas and Borderlands in the Americas by Theresa DelgadilloSubjects |
|
---|---|
Date |
|
Related Section | |
Keywords | |
Language | |
Citable Link |