• Fig. 3.19. Extreme Visual Contrast (1): Shallowness and Depth (the small HQ is represented in multiplanar depth while the large, deep cabaret space appears flattened and two-dimensional)

Extreme Visual Contrasts 1

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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