• Fig. 8.10. Representation Breaks Down (shot 3): cut back to Aochi, apparently watching Sono but seated in a totally different area of the sitting room from shot (1)

Representation Breaks Down 3

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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