• Fig. 4.6. Dysfunctional Ellipsis (shot 2): after the cut, the intercourse is long since ended. Is the ellipsis of time indicated by the change of lighting (shots 1a and 1b), or by the cut?

Shot 2: Dysfunctional Ellipsis

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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