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Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun
Shot 2: Dysfunctional Ellipsis
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Fig. 4.6. Dysfunctional Ellipsis (shot 2): after the cut, the intercourse is long since ended. Is the ellipsis of time indicated by the change of lighting (shots 1a and 1b), or by the cut?
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Shot 2: Dysfunctional Ellipsis
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From
Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun
by Peter A. Yacavone
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Permissions
Technical Info
Creator(s)
Suzuki, Seijun
Subjects
Media Studies:Cinema Studies
Asian Studies:Japan
Related Section
Chapter 4
Keywords
fade-in
color
lighting
ellipsis
Citable Link
Citable Link
Rightsholder
Nikkatsu
Copyright Status
fair use
File Format
tiff (TIFF EXIF, TIFF TIFF/IT-CT (ISO 12639:1998))
File Size
3.84 MB
Width
1400
Height
599
Mime Type
image/tiff
Last Modified
2023-03-30T15:06:49Z
Original Checksum
bcac585d111b71dff4d15f9c73521b01
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