• Figure 4.5. Were Chinese characters painted by the principles of abstract expressionism, the result would be akin to Wang Wo’s Zhe Teng: According to China (Zhe Teng, 2010), where the individual stroke does not call for attention

Zhe Teng: According to China (Zhe Teng, 2010)

From Brushed in Light: Calligraphy in East Asian Cinema by Markus Nornes

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  • Asian Studies
  • Media Studies
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