- Page 153 →Example 6.1. “Fugue for Tinhorns,” a three-voice canon with Escher-like descents. The first entry’s twelve-bar theme is layered against itself to show the harmonic implications of the unfolding contrapuntal imitation. “Fugue For Tinhorns” from Guys and Dolls by Frank Loesser. © 1950 (Renewed) Frank Music Corp. All rights reserved. Reprinted by permission of Hal Leonard LLC.
"Fugue for Tinhorns"
From Here for the Hearing: Analyzing the Music in Musical Theater by Michael Buchler and Gregory J. Decker, Editors| Creator(s) | |
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