• Fig. 6.6. Discontinuity in Action (shot 5). LS of Viper on a rail overpass, while Tetsu is behind the cement pylon underneath the bridge. There are no visible means by which Tetsu could have climbed down. The non-diegetic mask now emanates from the lower left.

Discontinuity in Action, Shot 5

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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