As evident from the marginalia of medieval manuscripts, the metaphor of concatenation was not limited to images of forged metal links; it included hunting, fishing, and more digestible rhetorical figures, such as enlinked pretzels. Drawn by Amelia Amelia after marginalia in The Hours of Catherine of Cleves.
  • Fig. 4.37. As evident from the marginalia of medieval manuscripts, the metaphor of concatenation was not limited to images of forged metal links; it included hunting, fishing, and more digestible rhetorical figures, such as enlinked pretzels. Drawn by Amelia Amelia after marginalia in The Hours of Catherine of Cleves.

As evident from the marginalia of medieval manuscripts, the metaphor of concatenation was not limited to images of forged metal links; it included hunting, fishing, and more digestible rhetorical figures, such as enlinked pretzels. Drawn by Amelia Amelia after marginalia in The Hours of Catherine of Cleves.

From Architecture and memory: the Renaissance studioli of Federico de Montefeltro by Robert Kirkbride

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  • Architectural History
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