• Page 230 →Zora Neale Hurston (1901?-1960) grew up in Eatonville, FL, surrounded by the Afro-American culture of that self-governing, all-Black town. She spent much of her life seeking a literary form that could blend her experience in the rural Black south, her anthropological studies at Barnard, and the artistic revolt of the Harlem Renaissance. One of her novels, Their Eyes Were Watching God, brought to perfection the creative artist and the folklorist. Hurston’s adventurous spirit led her to Haiti to study hoodoo, to Honduras to seek a lost civilization and from Florida to New York on a 1,500-mile houseboat voyage, and it made her a central figure in the Harlem Renaissance. Still writing and with her visions unfulfilled, Hurston had to send a manuscript to a publisher unsolicited in 1959 even though she was the most published Black woman writer in the U.S. “I shall wrassle me up a future or die trying,” she said. Hurston died in poverty and obscurity in a Florida state nursing home. She left a wealth of material on the Black folk community, and the recent feminist revival of interest in her life and work has brought many of her writings back into print.

Zora Neale Hurston postcard

From Women Making History: The Revolutionary Feminist Postcard Art of Helaine Victoria Press by Julia M. Allen and Jocelyn H. Cohen

  • Jumbo 5 ½” x 7¼” postcard. Originally printed letterpress in sepia with coral border. Quickly reprinted two additional letterpress editions the same year in response to customer demand. With demand so high, they began reprinitng Hurston offset two-up on the large sheet with two offset printings in the similar colors. The printing in 1985 in sepia with blue border, also printed two-up, gives a courtesy line noting The Smithsonian Institution which was an error. (front quote) Zora Neale Hurston Novelist, Folklorist, Anthropologist and Adventurer. She once claimed she was arrested for crossing against a red light but escaped punishment by exclaiming that "I had seen white folk pass on green and therefore assumed the red light was for me.” In this way she personalized traditional stories. This photo was taken in 1935 on a collecting trip in Florida with Alan Lomax and Mary E. Barnicle for the Music Division of the Library of Congress.
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  • HISTORY / Women
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