• Fig. 4.16. A Cinematic Mirror (shot 3): Okaru-Hachi raises his eyes and looks directly into the camera, not directly at the woman’s head (left-of-center foreground, out-of-focus)

A Cinematic Mirror Shot 3

From Negative, Nonsensical, and Non-Conformist: The Films of Suzuki Seijun by Peter A. Yacavone

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  • Media Studies:Cinema Studies
  • Asian Studies:Japan
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