Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Women's work: making dance in Europe before 1800
Lynn Matluck Brooks
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Acknowledgments (page ix)
-
Introduction: Women in Dance History, the Doubly Invisible (LYNN MATLUCK BROOKS, page 3)
-
PATRONAGE AND POWER
-
1 Isabella and the Dancing Este Brides, 1473-1514 (BARBARA SPARTI, page 19)
-
2 Fabritio Caroso's Patronesses (ANGENE FEVES, page 49)
-
3 At the Queen's Command: Henrietta Maria and the Development of the English Masque (ANNE DAYE, page 71)
-
-
PROFESSIONAL PERFORMANCE
-
4 The Female Ballet Troupe of the Paris Opera from 1700 to 1725 (NATHALIE LECOMTE, page 99)
-
5 Françoise Prévost: The Unauthorized Biography (RÉGINE ASTIER, page 123)
-
6 Marie Sallé, a Wise Professional Woman of Influence (SARAH McCLEAVE, page 160)
-
7 In Pursuit of the Dancer-Actress (MOIRA GOFF, page 183)
-
-
WORLDVIEWS
-
8 Elisabeth of Spalbeek: Dancing the Passion (KAREN SILEN, page 207)
-
9 Galanterie and Gloire: Women's Will and the Eighteenth-Century Worldview in Les Indes galantes (JOELLEN A. MEGLIN, page 228)
-
-
Contributors (page 257)
-
Index (page 261)
Citable Link
Published: c2007
Publisher: The University of Wisconsin Press
- 9780299225346 (paper)
- 9780299225339 (ebook)
- 9780299225308 (hardcover)