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The stage life of props
Andrew Sofer
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Frontmatter
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Introduction: Rematerializing the Prop (page 1)
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1. Playing Host: The Prop as Temporal Contract on the Medieval Stage (page 31)
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2. Absorbing Interests: The Bloody Handkerchief on the Elizabethan Stage (page 61)
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3. Dropping the Subject: The Skull on the Jacobean Stage (page 89)
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4. The Fan of Mode: Sexual Semaphore on the Restoration and Early-Eighteenth-Century Stage (page 117)
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5. Killing Time: Guns and the Play of Predictability on the Modern Stage (page 167)
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Notes (page 203)
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Bibliography (page 251)
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Index (page 269)
Journal Abbreviation | Label | URL |
---|---|---|
MP | 103.3 (2006): 448-451 | http://www.jstor.org/stable/10.1086/509017 |
TDR | 49.2 (2005): 161-162 | http://www.jstor.org/stable/4488648 |
RES | 55.222 (2004): 795-796 | http://www.jstor.org/stable/3661605 |
CD | 38.2/3 (2004): 336-338 | http://www.jstor.org/stable/41154240 |
TJ | 56.2 (2004): 327-328 | http://www.jstor.org/stable/25069448 |
Citable Link
Published: c2003
Publisher: University of Michigan Press
- 9780472098392 (hardcover)
- 9780472026333 (ebook)
- 9780472068395 (paper)