Taking liberties with the author: selected essays from the English Institute

McGill, Meredith L.

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Taking liberties with the author: selected essays from the English Institute

Meredith L. McGill

Open Access

Cover
Title Page
Copyright and Permissions
List of Illustrations
Introduction: Someone Said MEREDITH L. MCGILL
1 Insinuating Authors RITA COPELAND
2 Death and the Author IAN DUNCAN
- Preamble
- The Death and Rebirth of the Author
- Temptations to Be Entertained and Resisted
- Author-Machine
- Putting On a Face
- The Visible Hand
- Convention, Archive, Dump
- Late Style
3 “A Shape All Light” ADELA PINCH
- Introduction
- “We Who Love Shelley”
- A Good Shape
- A Good Sound
- Fade to White
4 The Paradox of Theatrical Authorship and Caryl Churchill's Collaborative Practice JEAN E. HOWARD
- A Prehistory: The Fantasy of Shakespeare as Only Begetter
- Caryl Churchill, Socialism, Authorship
- Light Shining in Buckinghamshire
- Churchill and Joint Stock Practices
- Coda
5 The Conscience of a Corporation: Toys United and Pixar's Assertion of “Cultural” Authorship JEROME CHRISTENSEN
- Corporate Speech and Corporate Liability
- Corporations Speak as Citizens United
- Hollywood's Nonliability
- The “Culture” of the Disney-Pixar Merger Agreement
- Pinocchio's Transformational Logic
- A Real Toy
- Jiminy Cricket's Story
- Pixar, the Conscience of Disney
Notes
- Introduction: Someone Said
- 1. Insinuating Authors
- 2. Death and the Author
- 3. “A Shape All Light”
- 4. The Paradox of Theatrical Authorship and Caryl Churchill's Collaborative Practice
- 5. The Conscience of a Corporation: Toys United and Pixar's Assertion of “Cultural” Authorship
About the Authors

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