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German opera: from the beginnings to Wagner
John Hamilton Warrack
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Frontmatter
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Acknowledgements (page xi)
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List of abbreviations (page xiii)
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Map: centres of German opera (page xv)
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1 Sixteenth-century beginnings (page 1)
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2 The Thirty Years War and its aftermath (page 17)
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3 The Hamburg enterprise (page 34)
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4 Travelling troupes and changing attitudes (page 63)
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5 From the Seven Years War to the French Revolution (page 86)
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6 The Viennese Singspiel (page 124)
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7 Mozart's German operas (page 144)
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8 From the French Revolution to the turn of the century (page 164)
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9 French opera in Germany after the Revolution (page 191)
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10 New critics and singers (page 214)
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11 Opera in a new century: the first decade (1) (page 226)
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12 Opera in a new century: the first decade (2) (page 240)
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13 The growth of Romantic and grand opera (page 265)
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14 Romantic opera and grand opera in the 1820s (1) (page 302)
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15 Romantic opera and grand opera in the 1820s (2) (page 321)
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16 Opera in the mid nineteenth century (1) (page 338)
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17 Opera in the mid nineteenth century (2) (page 360)
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18 Wagner (page 381)
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Appendix: List of operas (page 402)
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Bibliography (page 416)
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Index (page 427)
Journal Abbreviation | Label | URL |
---|---|---|
SCJ | 33.4 (Winter 2002): 1119-1120 | http://www.jstor.org/stable/4144151 |
GSR | 25.3 (Oct. 2002): 581-582 | http://www.jstor.org/stable/1432606 |
NOT | 59.1 (Sep. 2002): 77-79 | http://www.jstor.org/stable/900749 |
MT | 143.1880 (Autumn 2002): 71-72 | http://www.jstor.org/stable/1004557 |
Citable Link
Published: c2001
Publisher: Cambridge University Press
- 9780521235327 (hardcover)
- 9780511096792 (ebook)