Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music
James Webster-
Frontmatter
-
Foreword by Ian Bent (page xiii)
-
Preface (page xv)
-
Author's note (page xviii)
-
List of abbreviations (page xix)
-
Introduction (page 1)
-
PART I: THE FAREWELL SYMPHONY
-
1 The construction of the whole (page 13)
-
2 Instability (page 30)
-
3 Resolution (page 73)
-
4 The program (page 113)
-
-
PART II: CYCLIC ORGANIZATION IN HAYDN'S INSTRUMENTAL MUSIC
-
5 Progressive form and the rhetoric of instability (page 123)
-
6 Integration of the cycle (page 174)
-
7 Extramusical associations (page 225)
-
8 Individual compositions (page 250)
-
-
Historiographical conclusion: Haydn's maturity and "Classical style" (page 335)
-
Bibliography (page 375)
-
Index (page 390)
Journal Abbreviation | Label | URL |
---|---|---|
JoM | 10.2 (Spring 1992): 261-272 | http://www.jstor.org/stable/763614 |
JRMA | 118.1 (1993): 147-151 | http://www.jstor.org/stable/766547 |
JAMS | 48.2 (Summer 1995): 293-305 | http://www.jstor.org/stable/3128818 |
MusA | 13.1 (Mar. 1994): 125-131 | http://www.jstor.org/stable/854284 |
MAL | 76.3 (Aug. 1995): 439-442 | http://www.jstor.org/stable/737166 |
NOT | 49.3 (Mar. 1993): 994-996 | http://www.jstor.org/stable/898944 |
MTS | 19.2 (Autumn 1997): 264-284 | http://www.jstor.org/stable/745756 |
![](/image-service/zw12z565t1530234186/full/full/0/default.png)
Citable Link
Published: c1991
Publisher: Cambridge University Press
- 9781139085151 (ebook)
- 9780521385206 (hardcover)
- 9780521612012 (paper)