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German Colonialism Revisited: African, Asian, and Oceanic Experiences
Nina Berman, Klaus Mühlhahn, and Patrice Nganang, editorsGerman Colonialism Revisited brings together military historians, art historians, literary scholars, cultural theorists, and linguists to address a range of issues surrounding colonized African, Asian, and Oceanic people's creative reactions to and interactions with German colonialism. This scholarship sheds new light on local power dynamics; agency; and economic, cultural, and social networks that preceded and, as some now argue, ultimately structured German colonial rule. Going beyond issues of resistance, these essays present colonialism as a shared event from which both the colonized and the colonizers emerged changed.
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Cover
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Title
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Copyright
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Contents
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Introduction
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Part 1. Interactions
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Architecture with a Mission: Bamum Autoethnography during the Period of German Colonialism
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“The Germans cannot master our language!” or German Colonial Rulers and the Beti in the Cameroonian Hinterlands
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Sex and Control in Germany's Overseas Possessions: Venereal Disease and Indigenous Agency
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Ruga-ruga: The History of an African Profession, 1820–1918
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Bomani: African Soldiers as Colonial Intermediaries in German East Africa, 1890–1914
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Pioneers of Empire? The Making of Sisal Plantations in German East Africa, 1890–1917
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“Zake: The Papuan Chief”: An Alliance with a German Missionary in Colonial Kaiser-Wilhelmsland (Oceania)
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Part 2. Resistance, Anti-colonial Activism, and the Rise of Nationalist Discourses
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Germany and the Chinese Coolie: Labor, Resistance, and the Struggle for Equality, 1884–1914
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The Other German Colonialism: Power, Conflict, and Resistance in a German-speaking Mission in China, ca. 1850–1920
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Nationalism and Pragmatism: The Revolutionists in German Qingdao (1897–1914)
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Anti-colonial Nationalism and Cosmopolitan “Standard Time”: Lala Har Dayal's Forty Four Months in Germany and Turkey (1920)
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Acting Cannibal: Intersecting Strategies, Conflicting Interests, and the Ambiguities of Cultural Resistance in Iringa, German East Africa
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The “Truppenspieler Show”: Herero Masculinity and the German Colonial Military Aesthetic
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Part 3. Remembering and Rethinking
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Recollection and Intervention: Memory of German Colonialism in Contemporary African Migrants’ Writing
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The Shadows of History: Photography and Colonialism in William Kentridge's Black Box/Chambre Noire
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Germans and the Death-Throes of the Qing: Mo Yan's The Sandalwood Torture
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The Origins of German Minority Cinema in Colonial Film
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Bibliography
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Contributors
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Index
- 978-0-472-11912-7 (hardcover)
- 978-0-472-02970-9 (ebook)
- 978-0-472-03727-8 (paper)