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Performance and authenticity in the arts
Salim. Kemal and Ivan Gaskell
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Frontmatter
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List of contributors (page ix)
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Editor's acknowledgments (page x)
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1 Performance and authenticity (SALIM KEMAL AND IVAN GASKELL, page 1)
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PART I Performance, religion, and authenticity (page 13)
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2 The Poetics of performance: the necessity of spectacle, music, and dance in Aristotelian tragedy (GREGORY SCOTT, page 15)
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3 The "confessing animal" on stage: authenticity, asceticism, and the constant "inconstancie" of Elizabethan character (PETER IVER KAUFMAN, page 49)
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4 Art religion, and the hermeneutics of authenticity (NICHOLAS DAVEY, page 66)
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PART II Understanding, performance, and authenticity (page 95)
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5 Understanding music (MICHAEL TANNER, page 97)
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6 Understanding music (MALCOLM BUDD, page 114)
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7 Musical performance as analytical communication (FRED EVERETT MAUS, page 129)
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8 Performance authenticity: possible, practical, virtuous (STAN GODLOVITCH, page 154)
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9 Why is it impossible in language to articulate the meaning of a work of music? (JOSEPH J. KOCKELMANS, page 175)
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PART III Authenticity, poetry, and performance (page 195)
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10 Inauthenticity, insincerity, and poetry (ALEX NEILL, page 197)
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11 Poetry's oral stage (PETER MIDDLETON, page 215)
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12 True stories: Spalding Gray and the authenticities of performance (HENRY M. SAYRE, page 254)
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Index (page 272)
Citable Link
Published: c1999
Publisher: Cambridge University Press
- 9780521147439 (paper)
- 9781139085731 (ebook)
- 9780521454193 (hardcover)