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Dance and instrumental diferencias in Spain during the 17th and early 18th centuries, Vol. 1
Maurice Esses
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Frontmatter
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List of Illustrations (Charts, Musical Examples, and Plates) (page xi)
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Abbreviations, References, and Translations (page xvii)
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Acknowledgments (page xxi)
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PART I. THE HISTORICAL AND MUSICAL CONTEXT (page 1)
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Chapter 1. Dance and Variation (page 3)
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Chapter 2. Spain and Western Europe (page 9)
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Chapter 3. The Musical Environment in Spain (page 45)
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Chapter 4. Publishing and Music Printing in Spain (page 77)
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PART II. THE INSTRUMENTAL SOURCES (page 105)
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Chapter 5. Five-Course Guitar (page 112)
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Chapter 6. Harp (page 185)
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Chapter 7. Keyboard (page 235)
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Chapter 8. Other Instruments (page 309)
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PART III. THE DANCE (page 343)
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Chapter 9. The Uses of Dance in Spain (page 345)
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Chapter 10. Choreographic Sources and Styles (page 419)
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Chapter 11. Dancing Masters (page 487)
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Chapter 12. Attitudes towards Dances and Dance Music (page 517)
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Chapter 13. Dance-Names and Musical Models (page 545)
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PART IV. THE INDIVIDUAL DANCE-TYPES (page 597)
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PART V. BIBLIOGRAPHY (page 755)
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A. Sources before 1800 (Plus Later Facsimile Publications and Modern Editions of Single Authors or Sources) (page 757)
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B. Sources after 1800 (Including Facsimile Publications and Modern Editions not Listed in Section A) (page 787)
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Index (page 825)
Journal Abbreviation | Label | URL |
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DRJ | 12.1 (Summer 1994): 90-93 | http://www.jstor.org/stable/1290719 |
DC | 18.3 (1995): 497-504 | http://www.jstor.org/stable/1567846 |
Citable Link
Published: c1992
Publisher: Pendragon Press
- 9780945193081 (hardcover)