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The dark mirror: German cinema between Hitler and Hollywood
Lutz P. Koepnick-
Frontmatter
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List of Illustrations (page ix)
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Acknowledgments (page xi)
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Introduction: The Dark Mirror (page 1)
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PART 1 HOLLYWOOD IN BERLIN, 1933-1939
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Chapter 1 Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry (page 23)
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Chapter 2 Incorporating the Underground: Curtis Bernhardt's The Tunnel (page 50)
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Chapter 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire (page 72)
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Chapter 4 Siegfried Rides Again: Nazi Westerns and Modernity (page 99)
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PART 2 BERLIN IN HOLLYWOOD, 1939-1955
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Chapter 5 Wagner at Warner's: German Sounds and Hollywood Studio Visions (page 137)
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Chapter 6 Berlin Noir: Robert Siodmak's Hollywood (page 164)
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Chapter 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism (page 201)
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Chapter 8 Isolde Resurrected: Curtis Bernhardt's Interrupted Melody (page 234)
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Epilogue: "Talking about Germany" (page 259)
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Notes (page 273)
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Index (page 309)
Journal Abbreviation | Label | URL |
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GSR | 27.2 (May 2004): 413-415 | http://www.jstor.org/stable/1433125 |
JCH | 39.1 (Jan. 2004): 147-155 | http://www.jstor.org/stable/3180676 |
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Citable Link
Published: c2002
Publisher: University of California Press
- 9780520936355 (ebook)
- 9780520233119 (paper)
- 9780520233102 (hardcover)