Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Israeli cinema: identities in motion
Miri Talmon and Yaron Peleg
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Introduction (page ix)
-
Part 1. The Nation Imagined on Film
-
1. Filming the Homeland: Cinema in Eretz Israel and the Zionist Movement, 1917-1939 (Ariel L. Feldestein, page 3)
-
2. Helmar Lerski in Israel (Jan-Christopher Horak, page 16)
-
3. Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films (Yaron Peleg, page 30)
-
Part 2. War and Its Aftermath
-
4. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema (Uri S. Cohen, page 43)
-
5. From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen (Eran Kaplan, page 59)
-
6. The Lady and the Death Mask (Judd Ne'eman, page 70)
-
7. Coping with the Legacy of Death: The War Widow in Israeli Films (Yael Zerubavel, page 84)
-
8. The Privatization of War Memory in Recent Israeli Cinema (Yael Munk, page 96)
-
Part 3. An Ethno-Cultural Kaleidoscope
-
9. Disjointed Narratives in Contemporary Israeli Films (Nitzan Ben Shaul, page 113)
-
10. Trajectories of Mizrahi Cinema (Yaron Shemer, page 120)
-
11. Immigrant Cinema: Russian Israelis on Screens and behind the Cameras (Olga Gershenson, page 134)
-
Part 4. Holocaust and Trauma
-
12. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality (Ilan Avisar, page 151)
-
13. Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films (Liat Steir-Livny, page 168)
-
14. Homonational Desires: Masculinity, Sexuality, and Trauma in the Cinema of Eytan Fox (Raz Yosef, page 181)
-
Part 5. Jewish Orthodoxy Revisited
-
15. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord (Dan Chyutin, page 201)
-
16. Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film (Nava Dushi, page 213)
-
17. Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother's Voice (Anat Zanger, page 225)
-
Part 6. Filming the Palestinian Other
-
18. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday (Sandra Meiri, page 241)
-
19. A Rave against the Occupation? Speaking for the Self and Excluding the Other in Contemporary Israeli Political Cinema (Dorit Naaman, page 257)
-
20. Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema (Yael Ben-Zvi-Morad, page 276)
-
21. Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash (Nurith Gertz and Gal Hermoni, page 294)
-
Part 7. New Cinematic Discourses
-
22. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema (Gilad Padva, page 313)
-
23. Kibbutz Films in Translation: From Morality to Ethics (Eldad Kedem, page 326)
-
24. The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema (Miri Talmon, page 340)
-
Contributors (page 357)
-
Index (page 363)
Journal Abbreviation | Label | URL |
---|---|---|
Shofar | 31.2 (2013): 181-184 | http:// www.jstor.org/stable/10.5703/shofar.31.2.181 |
HS | 55 (2014): 474-476 | http://www.jstor.org/stable/43151496 |
Cineaste | 37.1 (2011): 70-72 | http://www.jstor.org/stable/41691107 |
ISR | 27.2 (2012): | http://www.jstor.org/stable/41804811 |
Citable Link
Published: 2011
Publisher: University of Texas Press
- 9780292743991 (paper)
- 9780292735606 (ebook)
- 9780292725607 (hardcover)