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Acting in the cinema
James Naremore
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Frontmatter
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Acknowledgments (page ix)
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1 Introduction (page 1)
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Part One: Performance in the Age of Mechanical Reproduction
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2 Protocols (page 9)
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3 Rhetoric and Expressive Technique (page 34)
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4 Expressive Coherence and Performance within Performance (page 68)
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5 Accessories (page 83)
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Part Two: Star Performances
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6 Lillian Gish in True Heart Susie (1919) (page 99)
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7 Charles Chaplin in The Gold Rush (1925) (page 114)
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8 Marlene Dietrich in Morocco (1930) (page 131)
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9 James Cagney in Angels with Dirty Faces (1938) (page 157)
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10 Katherine Hepburn in Holiday (1938) (page 174)
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11 Marlon Brando in On the Waterfront (1954) (page 193)
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12 Cary Grant in North by Northwest (1959) (page 213)
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Part Three: Film as a Performance Text
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13 Rear Window (1954) (page 239)
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14 The King of Comedy (1983) (page 262)
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Selected Bibliography (page 287)
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Index (page 295)
Journal Abbreviation | Label | URL |
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FQ | 42.1 (Autumn 1988): 50 | http://www.jstor.org/stable/1212441 |
Citable Link
Published: 1990
Publisher: University of California Press
- 9780520910669 (ebook)
- 9780520071940 (paper)
- 9780520062283 (hardcover)