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Coloring whiteness: acts of critique in Black performance
Faedra Chatard Carpenter
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Frontmatter
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Introduction: Dramaturgies of Whiteness in Contemporary African American Performance (page 1)
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Chapter One: Douglas Turner Ward's Play on Whiteness: Day of Absence on America's Public Stages (page 30)
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Chapter Two: Staging Hegemonic Whiteness: The Bluest Eye and the Performance of Paradoxes of (In)visibility (page 80)
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Chapter Three: Whiteness as "Becoming": The Corporeal Crossovers of Daniel Tisdale and Michael Jackson (page 117)
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Chapter Four: "Mixing It Up": Enacting Whiteness in the Comedic World of Dave Chapelle (page 161)
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Chapter Five: "Sounding Off on Sounding White": Aural Whiteness, Linguistic Whiteface, and the Economics of Opportunity (page 194)
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Coda: Whiteface to Postrace? The Artful Interrogations of Jefferson Pinder (page 225)
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Notes (page 239)
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Bibliography (page 279)
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Index (page 293)
Journal Abbreviation | Label | URL |
---|---|---|
ModD | 59.1 (spring 2016): 115-117 | https://muse.jhu.edu/article/611635 |
JDTC | 30.2 (spring 2016): 145-147 | https://muse.jhu.edu/article/617892 |
TJ | 67.4 (December 2015): 753-754 | https://muse.jhu.edu/article/606006 |
TDR | 60.2 (summer 2016): 159-162 | https://muse.jhu.edu/article/619203 |
Citable Link
Published: c2014
Publisher: University of Michigan Press
- 9780472052363 (paper)
- 9780472120659 (ebook)
- 9780472072361 (hardcover)