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Roman Art, Religion and Society: New studies from the Roman Art Seminar, Oxford 2005
Martin Henig
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This volume contains a range of papers from a seminar held in Oxford in 2005. What did 'art' in its widest sense mean to 'them', the Romans, and what might it (or even should it, mean to us? The approach adopted avoids fashionable 'theory', mainly culledsecond-hand from the social sciences, and tries to engage directly with material culture.
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Front Cover
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Title Page
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Copyright
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Table of Contents
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Foreword
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List of Illustrations
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The Hardwick Boot: A Roman Bronze Balsamarium
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The Body Chain from the Hoxne Treasure: Setting and Significance
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The language of love and sexual desire in Roman Britain: Jewellery and the emotions
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Two intaglios from St Peter Port, Guernsey
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Votive Leaf or Feather Plaques from Roman Britain
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Differing interpretations of the Romano-British site at Marcham/Frilford, Oxfordshire
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How a Christian might approach images of deities in polytheistic religions
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Sumus novi dei: Approaches to a renewed understanding of the identity of the Romano-British Church
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GIROLAMO ZULIAN: THE COLLECTION, THE MAN AND HIS WORLD
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DISPLAYING THE ANTIQUE: THE COUNTRY HOUSE, MERSEYSIDE 1777-1959
Citable Link
Published: 2006
Publisher: BAR Publishing
- 9781841717913 (paperback)
- 9781407330372 (ebook)
BAR Number: S1577