Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Listening in: radio and the American imagination
Susan J. Douglas-
Frontmatter
-
Preface (page ix)
-
Acknowledgments (page xi)
-
Introduction (page 3)
-
1. The Zen of Listening (page 22)
-
2. The Ethereal World (page 40)
-
3. Exploratory Listening in the 1920s (page 55)
-
4. Tuning In to Jazz (page 83)
-
5. Radio Comedy and Linguistic Slapstick (page 100)
-
6. The Invention of the Audience (page 124)
-
7. World War II and the Invention of Broadcast Journalism (page 161)
-
8. Playing Fields of the Mind (page 199)
-
9. The Kids Take Over: Transistors, DJs, and Rock 'n' Roll (page 219)
-
10. The FM Revolution (page 256)
-
11. Talk Talk (page 284)
-
12. Why Ham Radio Matters (page 328)
-
Conclusion: Is Listening Dead? (page 347)
-
Notes (page 359)
-
Index (page 391)
Journal Abbreviation | Label | URL |
---|---|---|
JAH | 88.2 (Sep. 2001): 732-733 | http://www.jstor.org/stable/2675243 |
TC | 43.2 (Apr. 2002): 436-438 | http://www.jstor.org/stable/25147934 |
![](/image-service/2z10wq65r1531317339/full/full/0/default.png)
Citable Link
Published: 2004
Publisher: University of Minnesota Press
- 9780816696390 (ebook)
- 9780816644230 (hardcover)