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Silent music: medieval song and the construction of history in eighteenth-century Spain
Susan Boynton
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Frontmatter
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List of Illustrations (page vii)
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Acknowledgments (page ix)
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Preface (page xiii)
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Abbreviations (page xxiii)
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Notes on Orthography and Terminology (page xxv)
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Introduction (page 3)
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1. Burriel and the Practice of History in the Spanish Enlightenment (page 21)
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2. The commission on the Archives in Toledo Cathedral (page 51)
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3. A Gem Worthy of a King: The Facsimile of a Mozarabic Chant Book (page 85)
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4. Alfonso X in the Age of Ferdinand VI: Copying the Cantigas de Santa Maria (page 113)
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5. Palomares and the Visigothic Neumes (page 141)
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Epilogue (page 175)
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Bibliography (page 179)
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Index (page 203)
Journal Abbreviation | Label | URL |
---|---|---|
JAMS | 66.2 (Summer 2013): 562-565 | http://www.jstor.org/stable/10.1525/jams.2013.66.2.562 |
CHR | 98.4 (Oct. 2012): 821-823 | http://muse.jhu.edu/journals/catholic_historical_review/v098/98.4.noel.html |
NOT | 69.4 (June 2013): 752-754 | http://muse.jhu.edu/journals/notes/v069/69.4.peters.html |
Citable Link
Published: c2011
Publisher: Oxford University Press
- 9780199877119 (ebook)
- 9780199754595 (hardcover)