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Making beats: the art of sample-based hip-hop
Joseph Glenn Schloss
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Frontmatter
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New Foreword (page ix)
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Acknowledgments (page xiii)
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1 Introduction (page 1)
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2 "It's about Playing Records": History (page 25)
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3 "It Just Doesn't Sound Authentic": Live Instrumentation versus Hip-Hop Purism (page 63)
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4 Materials and Inspiration: Digging in the Crates (page 79)
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5 Sampling Ethics (page 101)
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6 Elements of Style: Aesthetics of Hip-Hop Composition (page 135)
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7 The Outer Circle: From Samplers to Ears (page 169)
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8 Conclusions (page 195)
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New Afterword (page 199)
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Endnotes (page 219)
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Bibliography (page 229)
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Interviews by Author (page 237)
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Discography (page 241)
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Index (page 243)
Journal Abbreviation | Label | URL |
---|---|---|
NOT | 61.4 (Jun. 2005): 1028-1030 | http://www.jstor.org/stable/4487506 |
CinJ | 48.1 (Fall, 2008): 154-156 | http://www.jstor.org/stable/20484441 |
PM | 25.1, Special Issue on Canonisation (Jan. 2006): 138-140 | http://www.jstor.org/stable/3877552 |
SPC | 49. Jahrg. (2004): 261-263 | http://www.jstor.org/stable/30043745 |
Citable Link
Published: c2014
Publisher: Wesleyan University Press
- 9780819574817 (paper)
- 9780819574824 (ebook)
- 9780819566959 (hardcover)