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Moving Islands: Contemporary Performance and the Global Pacific
Diana Looser
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Moving Islands reveals the international and intercultural connections within contemporary performance from Oceania, focusing on theater, performance art, art installations, dance, film, and activist performance in sites throughout Oceania and in Australia, Asia, North America, and Europe. Diana Looser's study moves beyond a predictable country-specific or island-specific focus to encompass an entire region defined by diversity and global exchange, showing how performance operates to frame social, artistic, and political relationships across widely dispersed locations. The study also demonstrates how Oceanian performance contributes to international debates about diaspora, indigeneity, urbanization, and environmental sustainability. The author considers the region's unique cultural and geographic dynamics as she brings forth the paradigm of transpasifika to suggest a way of understanding these intercultural exchanges and connections, with the aim to "rework the cartographic and disciplinary priorities of transpacific studies to privilege the activities of Islander peoples."
Page 222 →Figure 23. 21st Sentry Cyber Sister (1997). Wearable art piece made up of twenty-seven parts, each created by one of the members of the Pacific Sisters art collective: Rosanna Raymond (Samoa), Ani O’Neill (Cook Islands), and two of the founding members, Suzanne Tamaki (Te Arawa, Ngāi Tūhoe, Ngāti Maniapoto) and Niwhai Tupaea (Ngāti Katoa). Tapa, feathers, bone, harakeke, nylon, shells, seeds, coconut shell, videotape, plastic. A guardian figure who protects the museum’s collections, the 21st Sentry Cyber Sister wards off racism and signifies the contemporary presence of Māori and Pacific cultures and their drive toward self-determination. In the Pacific Cultures Collection of Te Papa Tongarewa | Museum of New Zealand, courtesy of Te Papa and the Pacific Sisters.
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