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Moving Islands: Contemporary Performance and the Global Pacific
Diana Looser
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Moving Islands reveals the international and intercultural connections within contemporary performance from Oceania, focusing on theater, performance art, art installations, dance, film, and activist performance in sites throughout Oceania and in Australia, Asia, North America, and Europe. Diana Looser's study moves beyond a predictable country-specific or island-specific focus to encompass an entire region defined by diversity and global exchange, showing how performance operates to frame social, artistic, and political relationships across widely dispersed locations. The study also demonstrates how Oceanian performance contributes to international debates about diaspora, indigeneity, urbanization, and environmental sustainability. The author considers the region's unique cultural and geographic dynamics as she brings forth the paradigm of transpasifika to suggest a way of understanding these intercultural exchanges and connections, with the aim to "rework the cartographic and disciplinary priorities of transpacific studies to privilege the activities of Islander peoples."
Map 1. “A heuristic world regionalization scheme.” In contrast to earlier world regions schemes, the map acknowledges the presence of the Pacific, but its orientation obscures an integrated view of the Pacific world. Note the inclusion of “Melanesia,” but also the lumping together of “Micronesia” and “Polynesia” off to the right (with Polynesia placed inaccurately). From Martin W. Lewis and Kären Wigen, The Myth of Continents: A Critique of Metageography (Berkeley: University of California Press, 1997), 187. Reproduced with permission of the University of California Press.
Map 2. Steve Tillis, map of “Contemporary world theatre regions.” Figure 1 in his article “Conceptualizing Space: The Geographic Dimension of World Theatre,” Theatre Survey 52, no. 2 (November 2011): 310. Reproduced courtesy of Cambridge University Press.
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