Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Before, between, and beyond: three decades of dance writing
Sally Banes, Andrea Harris, Joan Ross Acocella and Lynn Garafola-
Frontmatter
-
Voice of the Zeitgeist: Sally Banes and Her Times (LYNN GARAFOLA, page vii)
-
Electrification (JOAN ACOCELLA, page xv)
-
Introduction (ANDREA HARRIS, page 3)
-
1. Dance before Midnight: Dance Journalism, 1974-87
-
Substanceless Brutality (page 13)
-
Bizarre Newborn Universe (page 17)
-
About Quarry, about Meredith Monk (page 20)
-
Disco Dance: Boogie Down the Blues (page 23)
-
The Art of Ballezz (page 27)
-
Changing and Growing and Changing Colors (page 32)
-
Stepping into Time: Charles Cook, Jane Goldberg, and Andrea Levine (page 37)
-
David Gordon, or, the Ambiguities (page 41)
-
Merce Cunningham 101: An Introductory Course (page 47)
-
Douglas Dunn Talking Dance (page 50)
-
Patterns (page 58)
-
A Walk on the Wild Side (page 61)
-
Bolshoi Bravura (page 64)
-
Notes on Some Dances (page 73)
-
Rhythm for the Eyes, Ears, and Soles (page 77)
-
Awhirl in Every Port (page 81)
-
Under Glass (page 84)
-
Trisha Brown and Fujiko Nakaya Play Misty (page 86)
-
"Men Together" and Bloolips (page 91)
-
Paul Taylor Dance Company (page 97)
-
10¢ a Dance: The Funds Over (page 104)
-
Nearly Sort of Not Dance Maybe (page 110)
-
Choreographer Steps Spryly into Television (page 113)
-
-
2. Between the Arts: Interdisciplinary Writings on the Arts in Culture
-
From "Messin' Around" to "Funky Western Civilization": The Rise and Fall of Dance Instruction Songs (page 119)
-
Theatre of Operations: Stuart Sherman's Fifteen Films (page 148)
-
Imagination and Play: The Films of Ericka Beckman (page 167)
-
The Last Conversation: Eisenstein's Carmen Ballet (page 186)
-
Homage, Plagiarism, Allusion, Comment Quotation: Negotiating Choreographic Appropriation (page 198)
-
Institutioning Avant-Garde Performance: A Hidden History of University Patronage in the United States (page 216)
-
Olfactory Performances (page 242)
-
-
3. Beyond the Millennium: Recent Dance Writings
-
Our Hybrid Tradition (page 257)
-
The Scent of a Dance (page 269)
-
Choreographing Community: Dancing in The Kitchen (page 281)
-
"A New Kind of Beauy": From Classicism to Karole Armitage's Early Ballets (page 303)
-
TV-Dancing Women: Music Videos, Camera-Choreography, and Feminist Theory (page 325)
-
Elephants in Tutus (page 344)
-
-
Contributors (page 361)
-
Index (page 363)
Journal Abbreviation | Label | URL |
---|---|---|
JAAC | 66.3 (Summer 2008): 312-314 | http://www.jstor.org/stable/40206353 |
![](/image-service/0c483j8871530931634/full/full/0/default.png)
Citable Link
Published: c2007
Publisher: The University of Wisconsin Press
- 9780299221539 (ebook)
- 9780299221546 (paper)
- 9780299221508 (hardcover)