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Drama, theatre, and identity in the American New Republic
Jeffrey H. Richards
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Frontmatter
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Acknowledgements (page xi)
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Introduction (page 1)
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1 American identities and the transatlantic stage (page 17)
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PART I Staging revolution at the margins of celebration (page 35)
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2 Revolution and unnatural identity in Crèvecoeur's "Landscapes" (page 37)
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3 British author, American text: The Poor Soldier in the new republic (page 60)
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4 American author, British source: writing revolution in Murray's Traveller Returned (page 85)
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5 Patriotic interrogations: committees of safety in early American drama (page 105)
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6 Dunlap's queer André: versions of revolution and manhood (page 124)
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PART II Coloring identities: race, religion, and the exotic (page 141)
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7 Susanna Rowson and the dramatized Muslim (page 143)
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8 James Nelson Barker and the stage American Native (page 166)
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9 American stage Irish in the early republic (page 188)
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10 Black theatre, white theatre, and the stage African (page 211)
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PART III Theatre, culture, and reflected identity (page 239)
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11 Tales of the Philadelphia Theatre: Ormond, national performance, and supranational identity (page 241)
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12 A British or an American tar? Play, player, and spectator in Norfolk, 1797-1800 (page 259)
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13 After The Contrast: Tyler, civic virtue, and the Boston stage (page 296)
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Notes (page 316)
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Bibliography (page 362)
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Index (page 384)
Citable Link
Published: c2005
Publisher: Cambridge University Press
- 9780521847469 (hardcover)
- 9780511331367 (ebook)
- 9780521066686 (paper)