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A Printed Icon in Early Modern Italy: Forlì's Madonna of the Fire
Lisa Pon-
Cover
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Half title
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Title page
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Imprints page
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Contents
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Illustrations
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Acknowledgments
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A Printed Icon in Early Modern Italy
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Introduction: Art, Icon, Print
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Part One Thing
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Chapter One Iconography: Madonna and Child
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“Surrounded by Some Other Saints’ Figures”
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Madonna in/as the Tabernacle
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The Crown, the Sun, and the Moon
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“A Pronounced Archaicism”
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Chapter Two Imprint: Paper, Print, and Matrix
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Paper and Ink
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Early Modern Print History
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The Print in the Age of Miraculous Reproducibility
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The Singular Matrix
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Right-Left Reversal
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Part Two Emplacement
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Chapter Three Miracle: The Fire of February 4, 1428
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Fire in the City
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Trial by Fire and Miracles of Incombustibility
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“Miracle, miracle!”
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Chapter Four Domestic Display: Lombardino da Ripetrosa’s Schoolhouse
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Worship at Home and at School
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Texts, Places, and Prudence
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Domestic Church []
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Chapter Five Ecclesiastical Enshrinement: The Cathedral of Forlì
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The Cathedral of Forlì
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Negotiations with Rome
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Framing Devotion in the Chapel and at Home
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Part Three Mobilities
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Chapter Six Moving in the City: The Translation of 1636
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Marking the Cityscape
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Organizing the Populace
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Chapter Seven Mobile in Print: The Procession on Paper
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“The description and narrative of all that was done”
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Commemorating the Procession: The Column of the Madonna of the Fire
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Chapter Eight Multiplied: The Madonna of the Fire in Forlì and Beyond
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“Not a Street or Piazza”
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Rome and Forlì
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The Saltmakers of Cervia
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“The Shrine of the Madonna of the Fire in via Firenze”
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Notes
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Selected Bibliography
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Index
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Citable Link
Published: 2015
Publisher: Cambridge University Press
- 9781107098510 (hardcover)
- 9781107491113 (paper)
- 9781316162293 (ebook)