Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Hugo Riemann and the birth of modern musical thought
Alexander Rehding-
Frontmatter
-
Acknowledgements (page ix)
-
Introduction (page 1)
-
1 Hugo Riemann's moonshine experiment (page 15)
-
2 The responsibilities of nineteenth-century music theory (page 36)
-
3 Riemann's musical logic and the 'As if' (page 67)
-
4 Musical syntax, nationhood and universality (page 113)
-
5 Beethoven's deafness, exotic harmonies and tone imaginations (page 162)
-
Epilogue (page 182)
-
Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900) (page 186)
-
Bibliography (page 199)
-
Index (page 212)
![](/image-service/4x51hj54v1530645877/full/full/0/default.png)
Citable Link
Published: c2003
Publisher: Cambridge University Press
- 9780511095887 (ebook)
- 9780521096362 (paper)
- 9780521820738 (hardcover)