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Hollywood and the culture elite: how the movies became american
Peter Decherney-
Frontmatter
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Acknowledgments (page ix)
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Introduction: How Film Became Art (page 1)
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1. Vachel Lindsay and the Universal Film Museum (page 13)
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2. Overlapping Publics: Hollywood and Columbia University, 1915 (page 41)
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3. Mandarins and Marxists: Harvard and the Rise of Film Experts (page 63)
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4. Iris Barry, Hollywood Imperialism, and the Gender of the Nation (page 97)
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5. The Museum of Modern Art and the Roots of the Cultural Cold War (page 123)
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6. The Politics of Patronage: How the NEA (Accidentally) Created American Avant-Garde Film (page 161)
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Conclusion: The Transformation of the Studio System (page 205)
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Notes (page 213)
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Index (page 253)
Journal Abbreviation | Label | URL |
---|---|---|
AQ | 58.4 (Dec. 2006): 1263-1273 | http://muse.jhu.edu/journals/american_quarterly/v058/58.4kitamura.html |
FH | 37.1 (2007): 99 | http://muse.jhu.edu/journals/film_and_history/v037/37.1hills-parks.html |
MI | 6.2 (Fall 2006): 138-141 | http://muse.jhu.edu/journals/the_moving_image/v006/6.2kenaga.html |
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Citable Link
Published: c2005
Publisher: Columbia University Press
- 9780231133760 (hardcover)
- 9780231508513 (ebook)
- 9780231133777 (paper)