Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
The queer composition of America's sound: gay modernists, American music, and national identity
Nadine Hubbs-
Frontmatter
-
Acknowledgments (page ix)
-
INTRODUCTION. Composing Oneself (page 1)
-
1. Modernist Abstraction and the Abstract Art: Four Saints and the Queer Composition of America's Sound (page 19)
-
2. Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America (page 64)
-
INTERMEZZO. My Dear Freddy: Identity Excesses and Evasions (chez Paul Bowles, page 103)
-
3. A French Connection: Modernist Codes in the Musical Closet (page 117)
-
4. Queerness, Eruption, Bursting: U.S. Musical Modernism at Midcentury (page 152)
-
CODA Composing Oneself (Reprise) (page 175)
-
Notes (page 179)
-
Works Cited (page 249)
-
Discography (page 265)
-
Index (page 267)
Journal Abbreviation | Label | URL |
---|---|---|
WM | 12 (2008): 113-117 | http://muse.jhu.edu/journals/women_and_music/v012/12.tick.html |
NOT | 62.2 (Dec. 2005): 395-397 | http://muse.jhu.edu/journals/notes/v062/62.2mcbride.html |
![](/image-service/zp38wd03j1531317809/full/full/0/default.png)
Citable Link
Published: c2004
Publisher: University of California Press
- 9780520937956 (ebook)
- 9780520241848 (hardcover)
- 9780520241855 (paper)