Share the story of what Open Access means to you
![a graphic of a lock that is open, the universal logo for open access](/assets/oa-lock-logo-lg-a95dd8d9f9fe5e21ab4499ffd0c8661e55f7d788ae0a03f19a6749eb82e3e899.png)
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Discipline and Desire: Surveillance Technologies in Performance
Elise MorrisonDiscipline and Desire examines how surveillance technologies, when placed within the frames of theater and performance, can be used to critique and reimagine the politics of surveillance in everyday life. The book explores how rapidly proliferating surveillance technologies, including drones, CCTV cameras, GPS tracking systems, medical surveillance equipment, and facial recognition software, can be repurposed through performance to become technologies of ethical witnessing, critique, and action.
While the subject of surveillance continues to provoke fascination and debate in mainstream media and academia, opportunities to critically reflect upon and, more importantly, to imagine alternative, creative responses to living in a rapidly expanding surveillance society have been harder to find. Author Elise Morrison argues that such opportunities are being created through the growing genre of "surveillance art and performance," defined as works that centrally employ technologies and techniques of surveillance to create theater, installation, and performance art. Introducing readers to a broad range of surveillance art works, including the work of artists and activists such as Surveillance Camera Players, Jill Magid, Steve Mann, Hasan Elahi, Wafaa Bilal, Blast Theory, Electronic Disturbance Theater, George Brant, Janet Cardiff, Mona Hatoum, and Zach Blas, Discipline and Desire provides a practical and analytical framework that can aid the diverse pursuits of new media-arts practitioners, performance scholars, activists, and hobbyists interested in critical and creative uses of surveillance technologies.
While the subject of surveillance continues to provoke fascination and debate in mainstream media and academia, opportunities to critically reflect upon and, more importantly, to imagine alternative, creative responses to living in a rapidly expanding surveillance society have been harder to find. Author Elise Morrison argues that such opportunities are being created through the growing genre of "surveillance art and performance," defined as works that centrally employ technologies and techniques of surveillance to create theater, installation, and performance art. Introducing readers to a broad range of surveillance art works, including the work of artists and activists such as Surveillance Camera Players, Jill Magid, Steve Mann, Hasan Elahi, Wafaa Bilal, Blast Theory, Electronic Disturbance Theater, George Brant, Janet Cardiff, Mona Hatoum, and Zach Blas, Discipline and Desire provides a practical and analytical framework that can aid the diverse pursuits of new media-arts practitioners, performance scholars, activists, and hobbyists interested in critical and creative uses of surveillance technologies.
-
Cover
-
Title
-
Copyright
-
Dedication
-
Contents
-
Acknowledgments
-
Introduction: Surveilling the Scene
-
1. Stages
-
2. Streets
-
3. Screens
-
4. Sex or Sin
-
5. Skin
-
6. Skies
-
Coda: A Small History of Surveillance Art
-
Notes
-
Bibliography
-
Index
![](/image-service/sn009z60w1542814290/full/full/0/default.png)
Citable Link
Published: 2016
Publisher: University of Michigan Press
- 978-0-472-12236-3 (ebook)
- 978-0-472-07326-9 (hardcover)
- 978-0-472-05326-1 (paper)