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Foundations of music history
Carl Dahlhaus
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Frontmatter
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Translator's preface (page vii)
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Foreword (page 1)
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1 Is history on the decline? (page 3)
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2 The significance of art: historical or aesthetic? (page 19)
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3 What is a fact of music history? (page 33)
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4 Does music history have a 'subject'? (page 44)
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5 Historicism and tradition (page 53)
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6 Hermeneutics in history (page 71)
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7 The value-judgment: object or premise of history? (page 85)
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8 The 'relative autonomy' of music history (page 108)
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9 Thoughts on structural history (page 129)
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10 Problems in reception history (page 150)
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Bibliography (page 166)
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Index (page 173)
Journal Abbreviation | Label | URL |
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JRMA | 112.1 (1986-1987): 141-155 | http://www.jstor.org/stable/766262 |
MT | 125.1701 (Nov. 1984): 645-646 | http://www.jstor.org/stable/962084 |
Citable Link
Published: c1983
Publisher: Cambridge University Press
- 9780521232814 (hardcover)
- 9781139085137 (ebook)
- 9780521298902 (paper)