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From "Winter Music": A Composer's Journal (John Luther Adams, page 31)
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Music at the Millennium: America, the World, and the New Generation (David Amram, page 49)
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Medievalism in American Musical Life (Elizabeth Aubrey, page 55)
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Blending Choirs: A New Paradigm for High School Choirs with Odd Numbers and Strange Schedules (Barbara W. Baker, page 64)
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Music Publishing in America (Arnold Broido, page 69)
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Classical Music Criticism: Crises and Hopes (Scott Cantrell, page 81)
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Music Theory and Progressive Rock Style Analysis: On the Threshold of Art and Amplification (John S. Cotner, page 88)
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The Sounds of Silents: An Interview with Carl Davis (Carl Davis and John C. Tibbetts, page 107)
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American Coral Music at the Millennium (David P. DeVenney, page 119)
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The Music We've Called Jazz (Ethel Ennis and Earl Arnett, page 127)
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The Twenty-first-Century Maestro (JoAnn Falletta, page 134)
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Public-School Music Education in the Twentieth Century (Charles L. Gary, page 141)
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The Invisible Art: New Music in America (Bob Goldfarb, page 152)
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Music Librarianship: 70 Years Back and 70 Years Forward (Jane Gottlieb, page 160)
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Will Classical Music Remain a Vital Force in Our Culture? (Gary Graffman, page 169)
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A Proposal for Artist-owned Recordings and a University-based Music Distribution Network (Marnie Hall, page 173)
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And the Music Goes 'Round: An Interview with John Kander (John Kander and John C. Tibbetts, page 189)
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American Music Historiography Yesterday and Today (William Kearns, page 202)
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Challenges and Visions: Reflections on American Church Music (Marilyn A. Kielniarz, page 218)
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Foot Notes: Tap in the Twentieth Century (Ann Kilkelly, page 224)
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The Blues—Past and Future: An Interview with B. B. King (B. B. King and William R. Ferris, page 243)
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Jazz, Now and Always (Howard Mandel, page 258)
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Globalization, Culturation, and Transculturation in American Music: From Cultural Pop to Transcultural Art (Dale A. Olsen, page 265)
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A Case for Continuity (Jerold Ottley, page 291)
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They're Playing My Song: Performance Rights in the Twenty-first Century (Frances W. Preston, page 296)
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Confessions of a New Orleans Jazz Archivist (Bruce Boyd Raeburn, page 300)
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Cultural Outreach through Music in Community-College Education (Elizabeth C. Ramirez, page 313)
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The American Century: Remembering the Past, Contemplating the Future (Elliott Schwartz, page 319)
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Continental Harmony: A Community-based Celebration of the American Millennial Year (Patricia A. Shifferd, page 328)
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Finding Our Way Back Home: Tonality in the Twenty-first Century (Robert Sirota, page 351)
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Kurt Weill's Americana: The Open Road to the Future (Jack Sullivan, page 357)
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Performing-Rights Collectives: Dinosaurs of the New Millennium? (William Velez, page 365)
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Music Theory and Pedagogy before and after the Millennium (John White, page 375)
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Coming of Age: Reflections on Black Music Scholarship (Josephine R. B. Wright, page 391)
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"A Closed Fist" from Spirals (for violin, viola, and cello) (Judith Lang Zaimont, page 397)
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