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The iconography of the Immaculate Conception in the Middle Ages and early Renaissance
Mirella Levi D'Ancona
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Frontmatter
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Introduction (page 3)
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Part I. Doctrine and Liturgy (page 5)
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Part II. Artistic Evidence (page 15)
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Chapter 1. Triumph of the Virgin over Original Sin (page 20)
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Chapter 2. Moment of Mary's Exemption: Relationship of Mary to Her Parents and Forebears; Her Predestination (page 39)
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Chapter 3. The Relationship of Mary to the Godhead (page 54)
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Chapter 4. Proofs of the Immaculacy of Mary (page 57)
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Chapter 5. Rare or Dubious Iconographies (page 71)
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Appendix: Leonardo's "Virgin of the Rocks": the Paris and the London Versions (page 73)
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List of Illustrations (page 81)
Journal Abbreviation | Label | URL |
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BM | 11.661 (Apr. 1958): 138 | http://www.jstor.org/stable/872291 |
Citable Link
Published: 1957
Publisher: College Art Association